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THE SUN DIES ON THE CROSS...TO BE LATER PERSONIFIED INTO THE SON THAT DIES ON THE CROSS

By now you have read enough to know the ancients looked to the Heavens and were in wonder at what they saw and in order to make sense out of the forces of the Heavens and it's influence upon them and Nature{short description of image} often resorted to symbolism, myth, and personification of these forces and observations which gave them a sense of understanding of these things. Since all nations saw the same things in the sky and the Heavens then there was to be expected very similar understanding of these events around the world as recorded in almost every nation under the sun and this is exactly what we find if we look. Christianity is not immune to such things as well as you are finding out. What should be of concern for us is the concept that we find in almost all of these nations that the SUN, PERSONIFIED AS "THE SON OF THE SUN," WAS CRUCIFIED IN THE HEAVENS BEFORE THE FOUNDATION OF THE WORLD!

Now for a little reviews. When the Sun reached his extreme Southern limit in the sky, then his career was ended and it was assumed by primitive man that the Sun had been overcome by his enemies. The Sun was dead. If you remember in our study on the Winter Solstice that the Sun, for 3 days a year, remains motionless in the sky. It does not move lower on the horizon in its track across the sky nor does it begin its upward journey either. The Sun remains "dead" for 3 days. Again if you remember this was the origin of the "descent into hell" stories as the Sun was submitted to the the "Dark-Evil" or the "D-Evil" (Devil). The powers of darkness, and of winter, which had sought in vain to wound him, have at length won{short description of image} the victory: The bright Sun of summer is finally slain, crucified in the heavens, and pierced by the arrow, spear or thorn of winter. If need be refresh yourself with our articles on the "Son or Sun of God" as you see for yourself how the Sun was submitted to the "cross" of the equinoxes and later personified into the "Son" who was submitted to the same "cross of the equinoxes."

The intersection of the 4 equinoxes is represented as a "cross" by primitive man. As the Sun was placed on this cross it was easily seen and understood by primitive man that the Sun is divided up into 4 parts, or should I say that the Sun divides the year into 4 parts (spring, summer, autumn, winter...easily seen in the picture above). Pictured this way the Sun as on the cross was understood to be "crucified" {short description of image}by primitive man. When you then remember how the Sun, when personified by the ancients, became the Son then you have the Son on the Cross. In the black and white graphic we see what the Anciens knew; namely, that the plane of the zodiac intersects the celestial equator of the earth at an angle of approximately 23° 28´. The two points of intersection (A and B) are called the equinoxes and from this they reasoned the "crossing" of these two intersections as the Sun submitted to this cross in the Heavens (remember the earth was thought to be the center of the Universe at that time). When you personify the "Sun" into the "Son" then we have the "Son on the Cross." Oh by the way Jesus was crucified on a single stake by the Romans but the myth must live!

The crucifixion of the Sun-gods is simply the power of Darkness triumphing over the "Lord of Light," and Winter overpowering the Summer. It was at the Winter Solstice that the ancients wept for Tammuz, the fair Adonis, and other Sun-gods, who were put to death by the boar, slain by the "thorn" of winter (Cox, Aryan Mythology, vol. ii. p. 13).

Other versions of the same myth tell us of Eurydike stung to death by the hidden serpent, or Sifrit smitter by Hagene (the Thorn), of Isfendiyar slain by the thorn or arrow of Rustem, or Achilleus vulnerable only in the heel, of Brychild enfolded within the dragon's coils, of Meleagros dying as the torch of doom is burnt out, of Baldur, the brave and pure, smitter by the fatal mistletoe, and of Chrishna and others being crucified.

These solar myths all began in Summer and later carried on in Egyptian mythology, Set, the destroyer, triumphs in the West which was understood as the Sun dying at sunset where Darkness triumphed over the Light of the Sun. Set is the personification of Darkness and Winter, and the Sun-god whom he puts to death, is Horus the Savior (himself the "son" of Osiris himself the personified Sun) (Renouf, Hibbert Lectures, pp. 112-115).

Throughout this tale, the Sun-god was but fulfilling his doom as seen in the heavens. This natural laws of the universe were interpreted by primitive man and later personified as we have seen into mythos of his culture. Everyone on the planet saw the same things and this explains the uncanny similarities of the Sun-Myths around the globe from thousands of years ago. The suffering of a violent death was a necessary part of the mythos; and, when his hour had come, he must meet his doom, as surely as the Sun, once risen, must go across the sky, and then sink down into his bread beneath the earth or sea. It was a fate from which there was no escaping.

THE DEVELOPING MYTHS OF THE NATIONS

Answer for yourself: Has the Gospel borrowed historical accounts describing Jesus from previous Eastern scriptures which existed centuries before the Bible?

Krishna was depicted as if crucified. The Persian remembered only the atoning sufferings on the cross of Mithras the Mediator. Aztecs prayed for the return of their crucified saviour, Quexalcoatl, and were rewarded with Cortez. Caucasians chanted praises to their slain Divine Intercessor, Prometheus, for voluntarily offering himself upon the cross for the sins of a fallen race. Yet the Christian disciple hugs to his bosom the bloody cross of the murdered Jesus, confident that only one god ever died for the sins of man.

To retain their following, Christianity is based on unchangeable dogmas which disciples must accept to the exclusion of all knowledge adverse to their own creed. Whenever they are able they actually destroy contrary evidence for fear of rivalry. Then they magnify their own religion to a unique position above all others.

The earlier Christian saints, having determined like Paul, to know only Jesus Christ and him crucified, made stern efforts to obliterate from the page of history facts damaging to their case.

A report on the Hindu religion, made out by a deputation from the British Parliament, sent to India to examine their sacred books and monuments, was left in the hands of a Christian bishop at Calcutta, with instructions to forward it to England. On its arrival in London, it was so horribly mutilated as to be scarcely recognizable. The account of the crucifixion was gone. The inference is patent.

The disciples of the Christian faith have burnt books, blotted out passages and destroyed opposing testaments which suggested the opposite of their belief. Not only that, they have demolished monuments showing crucifixions of previous atoning gods so that they are now unknown. Hence, the disbelief of Christians when other cases are mentioned.

For the same reasons stated above the dates of the occurrence of these crucifixions are doubtful and because chronology before the time of Alexander the Great (330 BC) is far from certain, and the dating of icons, especially from distant or isolated cultures is uncertain. Even mainstream studies of the ancient Near East are involved in controversy over dates, Peter James for example claiming in a well argued case that several centuries have been mistakenly inserted into near Eastern chronologies. It is certain these crucifixions occurred before the time of Christ, but their exact date cannot be fixed with absolute certainty but fairly accurate estimates are given.

These crucifixions are not conceded as actual occurrences. The objective is not to prove them real events but simply that the belief in the crucifixion of gods was prevalent long before the crucifixion of Christ. To establish this point then six will prove it as well as sixteen. Indeed, one case is sufficient. The reader is left to decide.

EXAMINING THE EVIDENCES

Osiris And Hours Pre 4,000 BC.

Osiris, the Egyptian Savior, was crucified in the heavens and was the "pattern" for all other crucified saviors which would follow; including his son Horus. To the Egyptian the cross was a symbol of immortality, an emblem of the Sun, and the god himself was crucified to the tree, which denoted his fructifying power (Ibid. pp. 115, 125).

Horus was also crucified in the heavens. He was represented, like Chrishna and Christ Jesus, with outstretched arms in the vault of heaven (Bonwick, Egyptian Belief, p. 157).

As a side note the principal Phenician deity, El, which says Parkhurst, in his Hebrew Lexicon, "was the very name the heathens gave to their god Sol, their Lord or Ruler of the Hosts of Heaven," was called "The Preserver (Savior) of the World," for the benefit of which he offered a mystical sacrifice (Wake, Phallism, p. 55). Notice again the connection between the Sun's (Sol's) sacrifice on behalf of mankind!

Thulis of Egypt 1700 BC.

Thulis of Egypt, whence comes Ultima Thule, died the death of the cross about thirty-five hundred years ago. Ultima Thule was the island which marked the ultimate bounds of the extensive empire of this legitimate descendant of the gods. This Egyptian saviour appears also to have been known as Zulis. His history is curiously illustrated in the sculptures, made seventeen hundred years BC of a small, retired chamber lying nearly over the western adytum of the temple. Twenty-eight lotus plants near his grave indicate the number of years he lived on the earth. After suffering a violent death, he was buried, but rose again, ascended into heaven, and there became the judge of the dead, or of souls in a future state. He came down from heaven to benefit mankind, and that he was said to be full of grace and truth.

Crite of Chaldaea 1200 BC.

The Chaldeans have noted in their sacred books the crucifixion of a god with the above name. He was also known as the Redeemer, and was styled the Ever Blessed Son of God, the saviour of the Race, the Atoning Offering for an Angry God. When he was offered up, both heaven and earth were shaken to their foundations.

Chrishna 1200 BC.

Chrishna, the crucified Savior of the Hindoos, is a personification of the Sun crucified in the heavens. One of the names of the Sun in the Vedic hymns is "Vishnu" and it is very important to know that in the Rig-Veda the {short description of image}god Vishnu is often named a a manifestation of Solar Energy, or rather as a form of the Sun (Indian Wisdom, p. 322).

Chrishna is Vishnu is human form. Chrishna says: "I am Vishnu, Brahma, Indra, and the source as well as the destruction of things, the creator and the annihilator of the whole aggregate of existences (Cox, Aryan Mythology, vol. ii. p. 131).

In the hymns of the Rig-Veda the Sun is spoken of as "stretching out his arms," in the heavens, "to bless the{short description of image} world, and to rescue it from the terror of darkness." This reminds me of many of the examples of Isis with the Sun-disk on her head as she "stretches out her arms.

Attis of Phrygia 1170 BC.

Speaking of this crucified Messiah, the Anacalypsis informs us that several histories are given of him, but all concur in representing him as having been an atoning offering for sin. And the Latin phrase suspensus lingo, found in his history, indicates the manner of his death. He was suspended on a tree, crucified, buried and rose again.

Tammuz of Mesopotamia 1160 BC.

Tammuz of Mesopotamia is dated around 1160 BC. Tammuz was a god of Assyria, Babylonia and Sumeria where he was known as Dumuzi. He is commemorated in the name of the month of June, Du'uzu, the fourth month of a year which begins at the spring equinox. The fullest history extant of this saviour is probably that of Ctesias (400 BC), author of Persika. The poet has perpetuated his memory in rhyme.

Tammuz was crucified as an atonement offering: Trust ye in God, for out of his loins salvation has come unto us. Julius Firmicus speaks of this God rising from the dead for the salvation of the world. This saviour which long preceded the advent of Christ, filled the same role in sacred history.

Wittoba is represented in his story with nail-holes in his hands and the soles of his feet. Nails, hammers and pincers are constantly seen represented on his crucifixes and are objects of adoration among his followers, just as the iron crown of Lombardy has within it a nail claimed to be of his true original cross, and is much admired and venerated for that reason. The worship of this crucified God prevails chiefly in the Travancore and other southern states of India in the region of Madura.

Hesus of the Celtic Druids 834 BC.

Around 834 B.C.E. the Celtic Druids depict their god Hesus as having been crucified with a lamb on one side and an elephant on the other, and that this occurred long before the Christian era. The elephant, being the largest animal known, was chosen to represent the magnitude of the sins of the world, while the lamb, from its proverbial innocent nature, was chosen to represent the innocence of the victim, the god offered as a propitiatory sacrifice. We have the Lamb of God taking away the sins of the world. The Lamb of God could therefore have been borrowed from the Druids. This legend was found in Gaul long before Jesus Christ was known to history.

Indra of Tibet 725 BC.

Indra, the crucified Savior worshipped in Nepal and Tibet, is identical with Chrishna, the Sun. Indra, who was represented as a crucified god, is also the Sun. No sooner is he born than he speaks to his mother. Like Apollo and all other Sun-gods he has "golden locks (reminescent of the Sun rays of golden light," and like them he is possessed of an inscrutable wisdom. He is also born of a virgin...the Dawn. This Tibetan saviour is shown nailed to the cross. There are five wounds, representing the nail-holes and the piercing of the side. The antiquity of the story is beyond dispute. Marvellous stories are told of the birth of the Divine Redeemer. His mother was a virgin of black complexion, and hence his complexion was of the ebony hue, as in the case of Christ and some other sin-atoning saviours. He descended from heaven on a mission of benevolence, and ascended back to the heavenly mansion after his crucifixion. He led a life of strict celibacy, which, he taught, was essential to true holiness. He inculcated great tenderness toward all living beings. He could walk upon the water or upon the air; he could foretell future events with great accuracy. He practised the most devout contemplation, severe discipline of the body and mind, and completely subdued his passions. He was worshiped as a god who had existed as a spirit from all eternity, and his followers were called Heavenly Teachers. Chrishna and Indra are one (Cox, Aryan Mythology, vol. i. pp. 88, 341; vol. ii. p. 131).

Bali of Orissa 725 BC.

In Orissa, in Asia, they have the story of a crucified God, known by several names, including the above, all of which, we are told, signify Lord Second, his being the second person or second member of the trinity. Most of the crucified gods occupied that position in a trinity of gods, the Son, in all cases, being the atoning offering. This God Bali was also called Baliu, and sometimes Bel. Monuments of this crucified God, bearing great age, may be found amid the ruins of the magnificent city of Mahabalipore, partially buried amongst the figures of the temple.

Iao of Nepal 622 BC.

Next we find the crucified Iao around 622 B.C.E. in Nepal. Iao (Divine Love personified) is the crucified Adonis, the Sun. The Lord and Savior was called Iao (Cox, Aryan Mythology, vol. ii. p. 113). Iao was crucified on a tree in Nepal. The name of this incarnate god and oriental saviour occurs frequently in the holy bibles and sacred books of other countries. Some suppose that Iao is the root of the name of the Jewish God, Yehouah (Jehovah), often abbreviated to Yeho.

Mithras of Persia 600 BC.

This Persian God was slain upon the cross to make atonement for mankind, and to take away the sins of the world. He was born on the twenty-fifth day of December, and crucified on a tree. Christian writers both speak of his being slain, and yet both omit to speak of the manner in which he was put to death. And the same policy has been pursued with respect to other crucified gods of the pagans, as we have shown.

Devatat of Siam, Ixion of Rome, Apollonius of Tyana in Cappadocia, are all reported to have died on the cross.

Alcestos of Euripides 600 BC.

A less usual crucified God was Alcestos, who was female, the only example of a feminine God atoning for the sins of the world upon the cross. The doctrine of the trinity and atoning offering for sin was inculcated as a part of her religion.

Quezalcoatl of Mexico 587 BC.

Historical authority of the crucifixion of this Mexican god is explicit, unequivocal and ineffaceable. The evidence is tangible, and indelibly engraven upon metal plates. One of these plates represents him as having been crucified on a mountain. Another represents him as having been crucified in the heavens, as St Justin tells us Christ was. Sometimes he is represented as having been nailed to a cross, sometimes with two thieves hanging with him, and sometimes as hanging with a cross in his hand.

Prometheus 547 B.C.

The story of the crucifixion of Prometheus was allegorical, for Prometheus was only a title of the Sun, expressing providence or foresight, wherefore being crucified in the extremities of the earth, signified originally no more than the restriction of the power of the Sun during the winter months (Knight, Ancient Art and Mythology, p. 88). The crucifixion of Prometheus of Caucasus, described by Seneca, Hesiod, and other writers, states that he was nailed to an upright beam of timber, to which were affixed extended arms of wood, and that this cross was situated near the Caspian Straits. The modern story of this crucified God, which has him bound to a rock for thirty years, while vultures preyed upon his vitals, is a Christian fraud. The poet, in portraying his propitiatory offering, says: "Lo! streaming from the fatal tree His all atoning blood, Is this the Infinite?–Yes, 'tis he, Prometheus, and a god! Well might the sun in darkness hide, and veil his glories in, when God, the great Prometheus, died for man the creature's sin." It is doubtful whether there is to be found in the whole range of Greek letters deeper pathos than that of the divine woe of the beneficent demigod Prometheus, crucified on his Scythian crags for his love to mortals. When he dies: That the whole frame of nature became convulsed. The earth shook, the rocks were rent, the graves were opened, and in a storm, which seemed to threaten the dissolution of the universe, the solemn scene forever closed, and Our Lord and saviour Prometheus gave up the ghost. The cause for which he suffered was his love for the human race. The whole story of Prometheus' crucifixion, burial and resurrection was acted in pantomime in Athens five hundred years before Christ, which proves its great antiquity. Minutius Felix, one of the most popular Christian writers of the second century addresses the people of Rome: Your victorious trophies not only represent a simple cross, but a cross with a man on it, and this man St. Jerome calls a god. These coincidences are more proof that the tradition of the crucifixion of gods has been very long prevalent among the heathen.

Quirinius of Rome 506 BC.

The crucifixion of Quirinus the Roman saviour is remarkable for the parallel features to that of the Judaean saviour, not only in the circumstances of his crucifixion, but also in much of his antecedent life. He is represented, like Christ:

Ixion 400 BC.

Ixion was crucified on a wheel, the rim representing the world, and the spokes constituting the cross. He bore the burden of the world, the sins of the world, on his back while suspended on the cross. He was therefore called the crucified spirit of the world. Ixion, who was bound to the wheel (Sun wheel), was none other than the god Sol, crucified in the heavens. The Sun, as climbing the heights of heaven, was sometime interpreted by men as the Sun being "arrogant" since for himself he made exorbitant claims. He was punished by being bound to a "fiery cross." Stories were invented of the Sun revolving daily on a four-spoked cross (Cox, Aryan Mythology, vol. ii. p. 27). Whatever be the origin of the name, Ixion is the "Sun of noonday," crucified in the heavens, whose four-spoked wheel is seen whirling in the highest heaven. So was Ixion bound on the fiery wheel, and the sons of men see the flaming spokes day by day as it whirls in the big heaven. The "wheel" upon which Ixion and criminals were said to have been executed was a cross, the name of the thing was dissembled among Christians; it was a St. Andrew's cross, of which two spokes confined the arms, and two the legs.

It is curious that Christian writers will recount a long list of miracles and remarkable incidents in the life of Apollonius of Tyana, the Cappadocian saviour, forming a parallel to those of the Christian saviour, yet say not a word about his crucifixion.

Christian writers find it necessary to omit the crucifixion of these saviours fearing the telling would lessen the spiritual force of the crucifixion of Christ, which has to be unique. They thus exalted the tradition of the crucifixion into the most important dogma of the Christian faith. Hence, their efforts to conceal from the public the fact that it is of pagan origin.

Mackey's Lexicon of Freemasonry says that Freemasons secretly taught the doctrine of the crucifixion, atonement and resurrection preceded the Christian era, and that similar doctrines were taught in all the ancient mysteries.

THE ALLEGORICAL REPRESENTATION OF THE GENERATIVE AND DESTRUCTIVE ATTRIBUTES OF THE SUN-GODS

Hercules is torn limb from limb; and in this catastrophe we see the "blood-red sunset" which closes the career of Hercules (Cox, Tales of Ancient Greece, p. xxxii). The Sun-god Hercules cannot rise to life of the blessed gods until he has been slain. The morning cannot come until Eos who closed the previous day has faded away and died in the black abyss of night.

Achilleus and Meleagros represent alike the "short-lived Sun," whose course is one of toil for others, ending in an early death, after a series of wonderful victories alternating with periods of darkness and gloom (Ibid., p. xxxiii). In the tales of the Trojan war, it is related of Archilleus that he expires at the Skaian, or western gates of the evening. He is slain by Paris, who here appears as the Pani, or dark power, who blots out the light of the Sun from the heaven

We have the story of Adonis, born of a virgin, and known in the countries where he was worshipped as "The Savior of Mankind," killed by the wild boar, afterwards "rose from the dead, and ascended into heaven." This Adonis, Adonai in Hebrew or "My Lord," is simply the Sun. He is crucified in the heavens put to death by the wild boar (personified Winter). "Babylon called Typhon or Winter 'the boar;' they said he killed Adonis or the fertile Sun" (Muller, Science of Religion, p. 186).

The Crucified Dove worshipped by the ancients, was none other than the crucified Sun. Adonis was called the "Dove." At the ceremonies in honor of his resurrection from the dead, the devotees said, "Hail to the Dove! the Restorer of Light" (Calemt, Fragments, vol. ii. pp. 21-22). This Crucified Dove" is described by Pindar, the great lyric poet of Greece, born about 522 B.C.E.

"We read in Pinda of the venerable bird Iynx bound to the wheel, and of the pretended punishment of Ixion. But this rotation was really no punishment, being, as Pindar saith, voluntary (compare to Jesus' death), and prepared by himself and for himself; or if it was, it was appointed in derision of his false pretensions, whereby he gave himself out as the crucified spirit of the world." "The four spokes represent St. Andrew's cross, adapted to the four limbe extended, and furnish perhaps the oldest illusion to the crucifixion. The same cross of St. Andrew was the Taw (T), which Ezekiel commands them to mark upon the foreheads of the faithful, as appears from all Israelitish coins whereon that letter is engraved. The same idea was familiar to Lucian, who calls T the letter of crucifixion. Certainly, the veneration of the cross is very ancient. Iynx, the bird of Mautic inspiration, bound to the four-legged wheel, given the notion of Divine Love crucified. The wheel denotes the world, of which she is the spirit, and the cross the sacrifice made for that world" (Pindar, Nimrod: vol. i. p. 278; Higgins, Anacalypsis, p. 503).

This "Divine Love," of whom Nimrod speaks, was "The First-begotten Son" of the Platonists. The crucifixion of "Divine Love" is often found among the Greeks. Ionah or Juno, according to the Iliad, was bound with fetters, and suspended in space, between heaven and earth. Ixion, Prometheus, Apollo of Miletus were all crucified. At Miletus was the crucified Apollo who overcomes the Serpent of evil and the evil principle in the world.

Semi-Ramis was both a queen of unrivaled celebrity, and also a goddess, worshipped under the form of a Dove. Her name signifies the "Supreme Dove." She is said to have been slain by the last survivor of her sons, while others say, she flew away as a dove. In both Grecian and Hindu histories this mystical queen Semiramis is said to have fought a battle on the banks of the Indus, with a king called Staurobates, in which she was defeated, and from which she flew away in the form of a Dove.

Of this Nimrod says:

"The name Staurobates, the king by whom Semiramis was finally overpowered, alluded to the cross on which she perished," and that, "the crucifixion was made into a glorious mystery by her infaturated adorers"

Make no mistake about it. This Oriental story has had unbelievable impact and influence in almost every nation of the world. These words apply to Christ Jesus , as well as Semiramis, according to Christian Father Ignatius. In his Epistle to the Church of Ephesus, he says: "Now the virginity of Mary, and he who was born of her, was kept in secret from the prince of this world, as was also the death of our our Lord: three of the mysteries the most spoken of throughout the world, yet done in secret by God."

Here we have the crucified Dove, the Sun, for it is well known that the ancients personified the Sun female as well as male.

We also have the fable of the Crucified Rose, illustrated in the jewel of the Rosicrucians. The jewel of the Rosicrucians is formed of a transparent red stone, with cross on one side and a red rose on the other thus forming a crucified rose. This idea stems from the fable of Adonis who was the Sun whom we have seen often crucified whereupon he was then changed into a red rose by Venus (The Rosicrucians, p. 260).

The emblem of the Templars is a red rose on a cross. Often we find this symbol surrounded with a glory, and placed on a calvary. This is the Naurutz, Natsir, or Rose of Isuren, of Tamul, or Sharon, or the Water Rose, the Lily {short description of image}Padma, Pena, Lotus, crucified in the heavens for the salvation of man (Ibid.). The Knights Templars also have a "Cross and the Crown" symbol. A frequent Masonic symbol often seen on churches or religious literature such as the "Bible Tract Watchtower" magazine of the Jehovah's Witness. Charles Tess Russell was a 32nd Degree Freemason. As well as Mary Baker Eddy's Christian Science. Her husband was a Freemason. This symbol can be found on the side of USC Medical Center. The Cross represents the "Cross of the Zodiac" or the Separation of the four seasons. The Crown represents the SUN dying on the cross of the zodiac.

Answer for yourself: Is it just coincidence that Jesus Christ was called the Rose, the Rose of Sharon?

Jesus was believed by his followers to be the incarnation of Divine Wisdom. He was the son of Mair or Maria. He was the Rose of Sharon and the Lily of the Valley, which bloweth in the month of his mother Maia. Thus, when the angel Gabriel gives the salutations to the Virgin, he presents her with the lotus or lily; as may be seen in hundreds of old pictures in Italy. We see therefore that Adonis, "the Lord," "the Virgin-born," "the Crucified," "the Resurrected Dove," "the Restorer of Light," is one and the same with the "Rose of Sharon," the crucified Christ Jesus.

Plato (429 B.C.E.) in his Pimaeus, philosophizing about the Son of God says:

"The next power to the Supreme God was decussated or figured in the shape of a cross on the universe."

This brings to recollection the doctrine of certain so-called Christian heretics, who maintained that Christ Jesus was crucified in the heavens.

The Chrestos was the Logos, the Sun was the manifestation of the Logos or Wisdom to men; or, as it was held by some, was his peculiar habitation. The Sun being crucified at the time of the winter solstice was represented by the young man playing the Bull (emblem of the Sun) in the Mithraic ceremonies. The Chrest was the Logos, or Divine Wisdom, or a portion of divine wisdom incarnate; in this sense he is really the Sun or the solar power incarnate, and to him everything applicable to the Sun will apply.

Lund, in his Monumental Christianity, provides a great picture of the Christian Savior crucified in the heavens. The pattern of the illustrations can be traced to Chrishna who is also represented crucified in "space." This is exactly displayed in the form of a Romish crucifix, but not fixed to a piece of wood, though the legs and feet are put together in the usual way. There is a glory over the top of it, coming from above, not shining from the figure, as is generally seen in a Roman crucifix. It has a pointed Parthian coronet instead of a crown of thorns. All the avatars, or incarnations of Vishnu, are painted with Ethiopian or Parthian coronets. For these reasons the Christian author will not own that it is a representation of the "True Son of Justice," for he was not crucified in space; but whether it was intended to represent Chrishna, Wittoba, or Jesus, it tells a secret: it shows that someone was represented crucified in the heavens, and undoubtedly has something to do with "The next power to the Supreme God," who, according to Plato, "was decussated or figured in the shape of a cross on the universe." The Sun-gods Apollo, Indra, Wittoba, or Chrishna, and Christ Jesus, are represented as having their feet pierced with nails (Cox, Aryan Mythology, vol. ii. p. 28).

Answer for yourself: Who was the crucified god whom the ancient Romans worshipped, and whom they, according to Justin Martyr, represented as a man on a cross?

Answer for yourself: Can we doubt, after what we have seen, that he was this same crucified Sol, whose birthday they annually celebrated on 25th of December?

In the poetical tales of the ancient Scandinavians, the same legend is found. Frey, the Deity of the Sun, was fabled to have been killed, at the time of the winter solstice, by the same boar who put the god Adonis to death, therefore a boar was annually offered to him at the great feast of Yule (Knight, Anct. Art and Myth, pp. 87-88). "Baldur the Good," son of the supreme god Odin, and the virgin-goddess Frigga, was also put to death by the sharp thorn of winter.

The ancient Mexicans crucified Savior, Quetzalcoatle, another personification of the Sun, was sometimes represented as crucified in space, in the heavens, in a circle of nineteen figures, the number of the metonic cycle. A serpent (emblem of evil, darkness, and winter) is depriving him of the organ of generation (Higgins, Anacalypsis, vol. ii. p. 32).

It is a well known fact that Christ Jesus, and many of the heathen saviors, healers, and preserving gods, were represented in the form of a Serpent. This is owing to the fact that, in one of its attributes, the Serpent was an emblem of the Sun (think of Moses and the serpent on the cross...the Sun crucified). It may, at first, appear strange that the Serpent should be an emblem of evil, and yet also an emblem of the beneficent divinity; but, as Prof. Renouf remarks, in his Hibbert Lectures, "The moment we understand the nature of a myth, all impossibilities, contradictions, and immoralities disappear."

The serpent is an emblem of evil when represented with his deadly sting; he is the emblem of eternity when represented casting off his skin; and an emblem of the Sun when represented with his tail in his mouth, thus forming a circle. This idea is quite consistent with the ideas entertained by the Phenicians as to the Serpent, which they supposed to have the quality of putting off its old age, and assuming a second youth (Sanchoniation: quoted by Wake: Phallism, p. 43). This idea even existed in the Americas. The great century of the Aztecs was encircled by a serpent grasping its own tail, and the great calendar stone is entwined by serpents bearing human heads in their distended jaws. The annual passage of the Sun, through the signs of the zodiac, being in an oblique path, resembles, or at least the ancients thought so, the tortuous movements of the Serpent, and the facility possessed by this reptile of casting off his skin and producing out of itself a new covering every year, bore some analogy to the termination of the old year and the commencement of the new year. Accordingly, all the ancient spheres: Persians, Indian, Egyptian, Barbaric, Mexican, etc., were surrounded by the figure of a serpent holding its tail in its mouth (Squire: Serpent Symbol, p. 249).

Thus there came to be, not only good, but also bad, serpents, both of which are referred to in the narrative of the Hebrew exodus, but still more clearly in the struggle between good and the bad serpents of Persian mythology, which symbolized Ormuzd, or Mithra, and the evil spirit Ahriman (Wake, Phallism, p. 42).

As the Dove and the Rose, emblems of the Sun, were represented on the cross, so was the Serpent (Cox, Aryan Mythology, vol. ii. p. 128). The famous "Brazen Serpent," said to have been "set up: by Moses in the wilderness, is called in the Targum (the Aramaic versions of the Old Testament) the Savior! It was probably a serpentine crucifix, as is called a "cross" by Justin Martyr. The crucified serpent denoted the Phallos, or the Sun after it had lost is power. It is the Sun in winter, crucified on a tree, which denoted its fructifying power. Being the most intimately connected with the reproduction of life on earth, the Linga became the symbol under which the Sun, invoked with a thousand names, has been worshipped throughout the world as the restorer of the powers of nature after the long sleep or death of Winter. In the brazen Serpent of the Pentateuch, the two emblems of the Cross and the Serpent, the quiescent and energizing Phallos, are united (Cox, Aryan Mythology, vol. ii. pp. 113-118). As Mr. Wake remarks, "There can be no doubt that both the Pillar (Phallus) and the Serpent were associated with many of the Sun-gods of antiquity (Wake, Phallism, p. 60).

This is seen often when the serpent is represented with rays of glory surrounding its head.

The Ophrites, who venerated the serpent as an emblem of Christ Jesus, are said to have maintained that the serpent of Genesis, who brought wisdom into the world, was Christ Jesus. The brazen serpent was called the Word by the Chaldee paraphrast. The Word, or Logos, was Divine Wisdom, which was crucified; thus we have the cross, or Linjga, or Phallus, with the serpent upon it. Besides considering the serpent as the emblem of Christ Jesus, or of the Logos, the Ophites are said to have revered it as the cause of all the arts of civilized life. Several females have been believed to have been selected and impregnated by the Holy Ghost, and is was, in some cases, the form of a serpent which was the form the Holy Ghost chose to impregnate them. This was the incarnation of the Logos.

The serpent was held in great veneration by the ancients, who, considered it as the symbol of the beneficent Deity, and an emblem of eternity. As such it has been variously expressed on ancient sculptures and medals in various parts of the globe.

Although generally, it did not always, symbolize the god Sun, or the power of which the Sun is an emblem; but, invested with various meanings, it entered widely into the primitive mythologies. As Mr. Squire observes:

"It typified wisdom, power, duration, the good and evil principles, life, reproduction; in short, in Egypt, Syria, Greece, India, China, Scahdinavia, America, everywhere on the globe, it has been a prominent emblem" (Squire, Serpent Symbols, p. 155).

The serpent was the symbol of Vishnu, the preserving god, the Savior, the Sun ( Wake, Phallism in Acnt. Religs., p. 72). It was an emblem of the Sun-god Buddha, the Angel-Messiah (Ibid. p. 73; Squire, Serpent Symbol, p. 195). The Egyptian Sun-god Osiris, the Savior, is associated with the snake (Faber, Orig. Pagan Idol., in Squire, p. 158). The Persian Mithra, the Mediator, Redeemer, and Savior, was symbolized by the serpent (Ibid.). The Phenicians represented their beneficent Sun-god, Agathodemon, by a serpent (Kendrick, Egypt, vol. i. p. 375). The serpent was, among the Greeks and Romans, the emblem of a beneficent genius. Antipator of Sidon, calls the god of Ammon, the "Renowned Serpent" (Ibid.). The Grecian Hercules, the Sun-god, was symbolized as a serpent; and so was AEsculapius and Apollo. The Hebrews, at one time in their antiquity, worshipped the Sun-god Sol, and represented him in he form of a serpent. This the the "seraph" spoken of above as set up by Moses (Num. 21:3) and worshipped by the children of Israel. Seraph is the singular of seraphim, meaning Semilice (splendor, fire, light); emblematic of the fiery disk of the Sun, and which, under the name of Nehush-tan, "Serpent-dragon," was broken up by the reforming Hezekiah.

The principal god of the Aztecs was Tonac-actcoatl, which means the Serpent Sun (Squire, p. 161).

The Mexican virgin-born Lord and Savior, Quetzalcoatle, was represented in the form of a serpent. In fact, his names signifies "Feathered Serpent." Quetzaloatle was a personification of the Sun (Ibid. p. 185).

So we see it is relatively easy to connect the Serpent and the Sun, as corresponding symbols of the reproductive or creative powers.

The mysteries of Osiris, Isis, and Horus, in Egypt; Attis and Cybele, in Phrygia; Ceres and Proserpine, at Eleusis; of Venus and Adonis, in Phenicia; of Bona Dea and Priapus, in Rome, and all susceptible of one explanation. They are all set forth and illustrated, by solemn and impressive rites, and mystical symbols, the grand phenomenon of nature, especially as connected with the creation of things and the perpetuation of life. In all, it is worthy of remark, the Serpent was more or less conspicuously introduced, and always as symbolical of the invigorating or active energy of nature, the Sun.

In early Christian art Christ Jesus was represented as a crucified lamb. The crucified lamb is "the Lamb of God taking away the sins of the world, and slain from the foundation of the world" (Lundy, Monumental Christianity, p. 185). In other words, the crucified lamb typifies the crucified Sun, for the lamb was another symbol of the Sun and one of the signs of the Zodiac (Aires which in those days had displaced Taurus in the precession of the equinox...the beginning of a new age had come with the prominence of Aires..the ram/lamb).

We find, then, that the stories of the crucifixion of the different so-called Saviors of mankind all melt into one, and that they are allegorical, for "Savior" was only a title of the "Sun," and his being put to death on the cross, signifies no more than the restruction of the power of the Sun in the winter quarter.

With Justin Martyr, then, we can say:

"There exists not a people, whether Greek or barbarian, or any other race of men, by whatsoever appellation or manners they may be distinguished, however ignorant of arts or agriculture, whether they dwell under the tents, or wander about in crowed wagons, among whom prayers are not offered up in the name of a CRUCIFIED SAVIOR to the Father and creator of all things" (Justin Martyr, Dialogue With Trypho, quoted in Gibbons' Rome, vol. i. p. 582).

Now you know...that these same concepts were applied to Jesus of the New Testament.

I guess Pontus Pilate said it best: "What is truth?"